Tuesday, May 5, 2015

The Hero and the Crown (Robin McKinley)

Reviewed by Brynn Fitzsimmons, a Humanities major at Maranatha Baptist University. Brynn lives in southern Wisconsin.

Background and summary

Robin McKinley’s The Hero and the Crown was published in 1984, and won the Newbery Medal in 1985. Its prequel, The Blue Sword, is a Newbery Honor Book. The story takes place in the kingdom of Damar, a kingdom filled with memories of magic and great heroes, but very little of that left, ever since they lost the Hero’s Crown generations before. The kings of Damar wear no crown in memory of the Crown, and in hopes that it will return to Damar. The royal family has some Gift that allows them to do small feats of magic (such as mending broken plates by staring at them). They also rely on a plant called surka, which is supposedly fatal to all but the royal family, to induce hallucinations which sometimes end up being visions.

Aerin, the main character, is the daughter of Arlbeth, king of Damar. Unfortunately, Aerin is not the picture of what a princess should be. She is clumsy, and lacks the Gift that normal royals have. She feels she is tolerated, but not loved, except by Tor, her cousin who is next in line to the throne, and Talat, a war horse who was left to himself after being injured in battle. One day, however, Aerin finds a recipe in an old book for kenet, a substance that protects against fire – even dragon fire. After many months, Aerin perfects the recipe. Since she cannot fit in at the court, she decides to go dragon-hunting to prove to her father and everyone else that she isn’t entirely worthless. She starts with smaller, relatively non-dangerous dragons, but eventually fights Maur, one of the ancient dragons, who has been awoken through sorcery from the northern enemies of Damar.

Although she defeats Maur, she is badly injured, and grows gradually sicker over the next few weeks. Luthe contacts her through a dream, telling her to come to him before it is too late. She takes Talat and eventually does find Luthe, who heals her, but in so doing, also makes her immortal. He teaches her magic, and also reveals that her mother’s brother, Agsded, is the one responsible for the sorcery against Damar. A prophecy foretells that only one of his own blood will defeat Agsded. Aerin’s mother was not able to do it, but if Aerin cannot, her beloved Damar will fall.

Aerin barely defeats Agsded, and wins the Hero’s Crown, which Agsded had for all those years. When she leaves his tower, however, she finds a very different world. Apparently, her ascent and descent from the tower were really years rather than minutes. Luthe, however, is able to take her back through time so that she can reach Damar in time for the power of the Hero’s Crown to be able to save it. This she accomplishes as well, promising to return to Luthe after she has fulfilled her duty to her country – which includes not only saving it, but also marrying Tor and becoming Damar’s queen.

Interest group

This book appeals to both genders. Boys will enjoy the number of places Aerin travels throughout the book – Maur’s lair, Agsded’s tower, Damar, Luthe’s mountain, and many other places. They will also enjoy the action scenes, such as when Aerin is fighting Maur or Agsded. The story also takes place over a long period of time, which boys tend to like more than girls do. Damar is also an incredibly developed world with a rich history and very clearly defined rules for magic and supernatural elements. Girls will enjoy the female main character, and the romantic subplots, both with Tor and Luthe. Girls will also enjoy the descriptions of Aerin’s emotions throughout the story, even in the action scenes, which girls may not enjoy as much.

This book would be good for upper high school, probably no earlier than tenth grade. It would be acceptable for younger readers if not for some of the objectionable elements listed previously. Also, the writing style would be hard to follow for younger readers. It deals with coming of age and growing up, but it also deals with harder concepts that would interest older readers. While junior high students may enjoy the story, some of the objectionable elements (discussed later) make it more appropriate for upper high school.

Developing Mature Readers

This book deals with six of the nine tasks for developing mature readers. First of all, Aerin learns about relationships with members of the opposite sex. Unfortunately, this book does not always provide good guidance in this area. As I said previously, Aerin’s relations with Luthe are clearly beyond the boundaries of appropriateness. However, Aerin’s relationship with Tor is a good one, especially in their loyalty to one another. Beyond a kiss, there is no physical involvement in their relationship, and it is Tor who teaches Aerin swordplay, looks out for her, counsels her, and sticks up for her. Even when Aerin thinks she should avoid Tor because of what it might do to his reputation, Tor is a faithful friend. Their friendship grows from something like a brother and sister into romance later. Romance aside though, readers can learn a lot about what it means to be a loyal friend through Aerin’s relationship with Tor.

Aerin also gains an understanding of her gender role and her physical body. She does not fit with the other court ladies at the beginning of the book. Galanna tells her she isn’t really a royal, isn’t really her father’s daughter, and Aerin begins to believe her since she isn’t good at any of the things girls are normally good at in that culture. She is clumsy, overly tall, and not very graceful in social settings. Aerin becoming a dragon-killer gives her a distinctive role, something she is good at, and also gives her the confidence to fill her role as a queen and member of the court later. Aerin can teach readers to focus on what they can do, rather than what they can’t.

Aerin also finds a vocation and sense of achievement during the book. She decides she wants to do something with adventure, so she perfects the kenet and sets out to slay dragons. Dragon killing gives her a sense of achievement, but she also returns to Damar with a new title – Aerin-sol, Dragon-killer. The title gives her a place and earns her the respect of the court, including her father. Eventually, she comes to accept that her differences are part of her purpose – not just slaying dragons, but defeating Agsded, and becoming Damar’s queen.

Aerin also learns independence from parents. She rehabilitates Talat without her father’s knowledge (or so she thinks), and her first dragon-killing attempts are also without any involvement from her father. Through the story, she stops fearing what her father or anyone else will think of her decisions, and just does what she feels is right. Aerin shows readers that they are responsible for their own actions and choices.

Aerin learns to live with her beliefs and values as well. She has to decide how she is going to live her life, and she decides she is not going to let others tell her who she is. She goes and finds out who she is. When she finds out, however, and in the process becomes immortal, she has to decide whether she will go back to Damar. Ultimately, her choice to go back to Damar and marry Tor is a choice she makes according to her own values. Aerin can teach readers that the right choice isn’t always easy, but is still worth making.

Potential Issues With the Book

The potential issues with this novel are few, but definitely worth noting. First of all, language could be an issue. There are no true swear words in the book, however, the characters do swear. Although they technically do not take God’s name in vain – the characters say “gods” rather than “God” – they are still blaspheming their own deities in doing so. The plural use of God’s name is a technicality, and for many, may not make the language any less offensive.

The greater issue has to do with Aerin’s love interests. First of all, there are two love interests – one mortal (Tor), and one immortal (Luthe). Rather than having to choose between them, as a character normally would in a love triangle, Aerin finishes the book with the idea that she can have both. She marries Tor, all the while intending to return to Luthe once Tor dies. Since Aerin is immortal at that point, she knows she will outlive her husband.

The idea that Aerin can have both love interests is more of an underlying idea, however, and is not nearly as concerning as her interactions with Luthe. After her battle with Agsded, Luthe drags Aerin back through time, and they travel together toward Damar, until their paths separate as Luthe travels back to his mountain, and Aerin toward her home. During this journey, Luthe and Aerin sleep side by side. While it is not appropriate for them to do so, for the first few nights, it is simply for comfort, and they are just sleeping.

Unfortunately, it does not stay that way. While the author is not overly descriptive, it is clear that Aerin and Luthe have premarital sex at least once toward the end of the book. Not only is this unnecessary to the plot, it is also presented as perfectly acceptable. Aerin never even has to admit it to Tor, who she marries only a few pages later.           

Recommendation

I will say that I thoroughly enjoyed the book. The style is very similar to Tolkien’s, and it occurred to me as I was reading that it would make an excellent stepping stone to reading the Lord of the Rings trilogy, which many readers struggle to get through in junior high and early high school due to the writing style and tone. Additionally, this book is set in a highly developed and engaging world, with well developed characters and an engaging plot.

That said, I cannot, with a clear conscience, recommend that this book be taught in a classroom. The issues concerning Aerin and Luthe’s relationship could not be adequately discussed in a public school setting, and in a Christian school, I believe most parents would find this book offensive even if it were discussed in class.

Whether or not a teacher should give this book to a student for outside reading should be evaluated on a case by case basis. The scene is brief and non-descriptive, but the student would have to be mature enough to realize that, although it is presented positively in the book, premarital sex is sinful, and the circumstances in which Aerin and Luthe find themselves does not make it any less sinful. The teacher (or parent) could point out how many questionable situations Aerin willingly involved herself in before she actually crossed the line into sin, and in that way, this book could be a useful teaching tool for a more mature reader.

Resources for Teaching or Research

Robin McKinley has both a website and a blog about her work in general. Her website includes links to interviews and speeches she has given. She has summaries of all her books, including the ones she has co-written with her husband. She has a link to her blog, which could be interesting to explore, as it give insight into her personality, but overall is rather odd in her tastes and style.

Scholastic.com gives some basic statistics on the book, including age level, Lexile© measure, and a very brief summary. Teachingbooks.net gives a link to an audio recording of part of the book. Bookrags.com, of course, has lesson plans and packets with activities, quizzes, etc., available for purchase. The website readwritethink.org suggests this book as an option for reading in their set of lessons entitled “Heroes Around Us,” which seems like it could be an interesting set of lessons to consider.

Works Cited

Bookrags. “The Hero and the Crown Lesson Plans for Teachers.” Bookrags, 2015. Web. 12 Apr 2015.

McKinley, Robin. The Hero and the Crown. New York: Puffin Books, 1984. Print.

“Robin McKinley.” Robin McKinley, 2015. Web. 12 Apr 2015.

ReadWriteThink. “Heroes Around Us.” ReadWriteThink, 2015. Web. 12 Apr 2015.

Scholastic. “The Hero and the Crown.” Scholastic, 2015. Web. 12 Apr 2015.

TeachingBooks. “The Hero and the Crown.”TeachingBooks, 2015. Web. 12 Apr 2015.